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You are here: Home / Archives for Entertainment / Arts

From the Streets to the Skies: Shyan Selah’s Café Noir Project Travels Across American Airlines​​​​​​​

July 19, 2016 by Dennis Beaver Leave a Comment

For the last few months Shyan Selah’s voice has been featured as part of the MasterCard Selections Channel on
American Airlines. He was chosen as part of an elite group of wide ranging music artists from Jordin Sparks to Billy Gibbons of ZZ Top to talk about his current project and tour, Café Noir, as well as give a little musical taste from the Café Noir Live album out now.

Before singing the “Pink Butterfly (Urban Remix)” – the funk/soul/R&B track that’s been permeating throughout select Starbucks stores around the country, Selah talked about the project and how his unique approach to music and communnamed-3unity outreach has allowed him to venture where few entertainers can go.

“[Café Noir] is a community experience project,” said Selah. “It’s all centered around sitting down, having conversations – community and conversation….because it’s a community project we wanted to make sure we could fuse music with the people right in the neighborhood and Starbucks became a really cool partner of ours.”

That community experience project which has been developed and featured throughout high schools, colleges, and live music venues in addition to select Starbucks stores throughout the country, has already resulted in a live album, Café Noir Live, recorded at the 23rd & Jackson Street Starbucks in Seattle; and a second LP album is forthcoming this fall. Selah’s recent interview and live performance for the MasterCard Selections Channel is just one example of how the project is expanding beyond the communities on the ground he set out to reach.

“I was raised in an airline family,” he says. “I grew up in airports and doing a lot of flying as a kid and, of course, as an Artist and Entrepreneur it’s a must. The whole experience of being on a plane is very sentimental to me because my very first memories in life are centered around flying. I can say without a doubt this experience with American Airlines and Master Card is truly a blessing. To do what I love the most and have it played on one of the world’s biggest airlines is a cool highlight indeed. It was a lot of fun doing the production for this and I am truly thankful to everyone that made it possible.”

Those who missed the interview and performance on American Airlines can listen now via the YouTube link below.

For more information, visit www.shyanselah.com.

Filed Under: Artist Spotlight, Arts, Entertainment, Music, Northwest, People

One Night Only! Award-Winning Entertainer Frank Ferrante Stars In AN EVENING WITH GROUCHO

July 17, 2016 by Dennis Beaver Leave a Comment

One Night Only!
Award-Winning Entertainer Frank Ferrante Stars In
 AN EVENING WITH GROUCHO
Groucho 1 Performed for the First Time Under the Magical Teatro ZinZanni Spiegltent – Tickets On Sale Now, August 10

An Evening with Groucho
Directed by Dreya Weber

Award-winning actor and director Frank Ferrante recreates his PBS, New York, and London acclaimed portrayal of legendary comedian Groucho Marx in this fast-paced 90 minutes of hilarity. The two-act comedy consists of the best Groucho one-liners, anecdotes, and songs including “Hooray for Captain Spalding,” and “Lydia, the Tattooed Lady.” The audience literally becomes part of the show as Ferrante ad-libs his way throughout the performance in grand Groucho style. Accompanied by his on-stage pianist, Seattle Music Director Mark Rabe, Ferrante portrays the young Groucho of stage and film, and reacquaints us with the likes of brothers Harpo, Chico, Zeppo and Gummo, Charlie Chaplin, W.C. Fields, Marx foil, Margaret Dumont, and MGM’s Louis B. Mayer. A show perfect for all ages!


Teatro ZinZanni  222 Mercer Street, Seattle
Wednesday, August 10, 2016
Doors open at 6:30 p.m.   Show starts at 8:00 p.m.

TICKETS:  Starting at $30 — ON SALE NOW

Box Office: (206) 802-0015
http://www.zinzanni.com/seattle

*An Evening with Groucho is a one-night only special event. It is not a version of the Teatro ZinZanni evening show. Food and beverages are not included in the ticket price for this special event but will be available for purchase the night of the show.

About Frank Ferrante (Writer/Groucho)
Frank Ferrante is currently performing in Teatro ZinZanni’s Hotel L’Amour running through September 25. He is an actor and director and described by The New York Times as “the greatest living interpreter of Groucho Marx’s material.” Animal Crackers and A Night at the Opera co-author Morrie Ryskind called him “the only actor aside from Groucho who delivered my lines as they were intended.” Discovered by Groucho’s son Arthur when Frank was a drama student at the University of Southern California, Frank originated the off-Broadway title role in Groucho: A Life in Revue (written by Arthur) portraying the comedian from age 15 to 85. For this role, Frank earned New York’s Theatre World Award and an Outer Critics Circle nomination. He reprised the role in London’s West End and was nominated for the Laurence Olivier Award for ‘Comedy Performance of the Year.’ Frank played the Groucho role in the off- Broadway revival of The Cocoanuts and has played Captain Spalding in several productions of Animal Crackers winning a Connecticut Critics Circle Award for his portrayal at Goodspeed Opera House and a Helen Hayes nomination in Washington D.C. at Arena Stage. In Boston, he played the Huntington Theatre in the record-breaking run of Animal Crackers that landed Frank on the cover of American Theatre Magazine. Frank has now performed the Groucho role over 2500 times in more than 400 cities. His other regional roles include Max Prince in Neil Simon’s Laughter on the 23rd Floor at Philadelphia’s Walnut Street Theatre (which Frank also directed); George S. Kaufman in By George (a one-man play written by Frank); Oscar in The Odd Couple and leads in The Sunshine Boys, Lady in the Dark and Anything Goes. Frank directed M*A*S*H star Jamie Farr in the Kaufman & Hart comedy George Washington Slept Here and revivals of Simon’s

Brighton Beach Memoirs, Biloxi Blues, Broadway Bound and Lost in Yonkers. In 1995, he directed and developed the world premiere of the Pulitzer finalist Old Wicked Songs. In 2001, Frank directed, produced and starred in the national PBS television program Groucho: A Life in Revue. Frank has played over 1200 performances as the comic Latin lover ‘Caesar’ in the cirque show Teatro ZinZanni in Seattle and San Francisco and in Palazzo in Amsterdam. On television, Frank played a speaking mime on Rob Corddry’s Emmy Award-winning comedy Childrens Hospital and can be heard on the animated series Garfield as the voice of Lyman, Odie’s first owner and on SpongeBob SquarePants as Patrick’s boss. Frank stars in the web series Caesar’s World now viewable on Funny or Die. He is a question on the TV program Jeopardy. “He took his portrayal of Groucho Marx to New York in 1986.” The answer: “Who is Frank Ferrante?” Immediately following this run, Frank leaves for a 33 city tour of Australia with ‘Groucho’.

About Mark Rabe (Accompanist)
Mark Rabe has worked as a music director and actor/singer in the Seattle area theatre and cabaret scene for almost 30 years (where DO they go?). Music direction credits include Goblin Market at ACT Theatre, Oh, Coward! at Seattle Repertory Theatre, numerous shows for nationally renowned Seattle Children’s Theatre, many for Showtunes Theatre Company (including Falsettos, Nine, and Working in concert in Nordstrom Recital Hall at Benaroya Hall), as well as many other Seattle area theatres. As an actor, he has played another bemused pianist, Cosme McMoon, struggling to keep up with the famously erratic would-be singer Florence Foster Jenkins in Souvenir. Other favorite roles include Hamlet, Max in Lend Me A Tenor, William Carney/Oscar Wilde in Man Of No Importance, The Snake in Children Of Eden, & Arthur in Camelot. This past July he played the principal role of Jack Point, melancholy jester, in The Yeomen Of The Guard for the Seattle Gilbert & Sullivan Society. Nationally, he has played The Duplex in New York City, and various theatre as in cities all across the country with An Evening With Groucho, including the Pasadena Playhouse. This spring he happily tagged along with Groucho from the West Coast to the Midwest to the Eastern seaboard, and best of all, to Bath, England.

About Dreya Weber (Director)
Dreya Weber produced and starred in The Gymnast and A Marine Story, collectively honored with 48 US and international film festival awards including seven ‘Best Actress’ honors. Dreya co-directed and wrote the recently released independent feature Ravens Touch in which she plays the title role. She conceived and directed Caesar’s World starring Frank Ferrante, now viewable on Funny or Die. Dreya writes extensively for many cirque/theater venues including Teatro ZinZanni, Palazzo and Le Studio. Her stage credits include As You Like It at LAWSC, A Very Old Man With Enormous Wings at CTG and the award-winning West Coast premiere of Austin Pendleton’s Orson’s Shadow in which she played Vivien Leigh. On the East Coast, she appeared in the New York Shakespeare Festival’s Comedy Of Errors, Childhood (with Glenn Close), Inadmissible Evidence and Macbeth. Dreya conceived and choreographed Pink’s performances at the 2010 & 2014 Grammy’s and was associate choreographer for Michael Jackson’s This Is It. For more than a decade, Dreya has created the aerials for all of Pink’s international tours including the record breaking Australian leg of her Funhouse Tour attended by over 660,000 fans. Her creative direction and aerial choreography has been featured in over 15 international arena tours including those for Katy Perry, Taylor Swift, Rihanna, Madonna, Cher, Christina Aguilera, Britney Spears and Kylie Minogue. Dreya is currently performing in Teatro ZinZanni’s Hotel L’AMour.

About Groucho Marx (Legend)

The New York Times summed up the comedy genius as “America’s most gifted funny man.” Born Julius Henry Marx on October 2, 1890, Groucho was the third of five sons born to poor immigrant parents Sam and Minnie Marx. Chico and Harpo preceded him. Gummo and Zeppo followed. Straight from the streets of New York’s upper Eastside, Groucho was thrust onstage at age 15 as one third of the singing Leroy Trio. Eventually, brothers Harpo, Chico, Gummo and Zeppo joined the act that began as the singing Four Nightingales and evolved into the world’s funniest vaudeville act known as the Marx Brothers. After twenty years of touring their act all over the country, the Marx Brothers finally hit pay dirt with a musical comedy called I’ll Say She Is. Audiences and critics went wild over the Brothers’ irreverent humor, the expert pantomime, the wisecracks, the physical shtick, the outrageous musical talent. Said one local Philadelphia critic about the show, “It was as if a tornado hit town. We’ve never seen anything like the Marx Brothers.” I’ll Say She Is moved to Broadway in 1924 and was an instant sensation legitimizing the Marx Brothers as world-class talents. Two more Broadway hits followed – The Cocoanuts and Animal Crackers introducing audiences to Groucho’s most renowned incarnation – Captain Spalding, the African Explorer. In 1930, Groucho and his brothers moved to Hollywood and changed the face of film comedy forever. There they made Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, A Day at the Races, Room Service, At the Circus, Go West, The Big Store, A Night in Casablanca and Love Happy between 1931 and 1949. The Four Marx Brothers appeared on the cover of Time Magazine in 1932. As a solo, Groucho launched a career on radio and television with his Emmy Award winning work as the host of the comedy quiz show You Bet Your Life. The show flourished for fourteen highly rated seasons from 1947 to 1961 on ABC radio then NBC television. Groucho was a major fixture in 1950’s television with his “secret woid” and a duck that dropped from the sky to pay wacky contestants “an extra hundred dollars.” In the late 1960’s, a renewed interest in the anarchic hijinks of the Marx Brothers swept across the nation – particularly among college age students. Fortunately, Groucho Marx survived long enough to experience his renaissance. He made TV appearances, performed at Carnegie Hall at age 82 and received a special Academy Award in 1974 for “the brilliant and unequalled achievements of the Marx Brothers”. On August 19, 1977 Groucho Marx died at age 86. His final request? “Bury me next to Marilyn Monroe.”

About Teatro ZinZanni
Teatro ZinZanni is an original show, which combines European cirque, cabaret, spectacle, and live music meanwhile serving up a multi-course feast. The show is presented in a gorgeous, climate-controlled, antique cabaret tent (known as a spiegeltent). Imported from Belgium, the spiegeltent is nicknamed the Moulin Rouge. Built in 1910, it boasts stained glass, hand-carved wooden interior columns, polished crystal and mirrors. Guests are seated restaurant-style in this unique venue, and the action of the show takes place throughout the circular structure. The Moulin Rouge comfortably seats 285 guests. In addition to its year-round, world class dinner shows, Teatro ZinZanni also produces original family-friendly experiences, summer camps, and special one-night-only events throughout the year.

Filed Under: Arts, Community, Entertainment, Events

BAAMFest is ON!

July 17, 2016 by Dennis Beaver Leave a Comment

BAAM-Header
Rainier Beach Merchants Association is producing its annual Rainier Beach Arts & Music (BAAM) Fest multi-cultural extravaganza on July 23rd at the Rainier Beach Community Center from 11am – 7pm to activate and celebrate our incredible, diverse, talented community! This is a FREE community festival that is supported by local businesses, Seattle Parks, the Office of Economic Development and many hours of volunteer effort.

With a theme of “Our Story,” this year’s event will feature local artists, music, spoken word, and dance performances, contests, childrens’ activities, workshops, and food trucks that represent our community. “Our Story” reveals the storytelling of our histories, thoughts, and cultures through all of the arts.

HERE’S WHAT WE GOT!
Grace Love & the True Loves – Big Band Blues Music
Massive Monkees – World Champion Break Dancers
SANCA Circus Arts School Youth Performance
Art Installation by Yeggy Michael
Rhythms of India – Bollywood Dance Performance & Workshop
KUOW Story Corps Listening Party
Ben & Joe Band – Roots Music
Ken Workman – Duwamish Elder- Welcome & Blessing – Chief Sealth’s 4-th Great Grandson
New Revelations – Gospel Choir

Reagan Jackson- Poetry Reading/ Youth poets
Pacific Northwest Drumline – Multicultural drum line
Seattle Women’s Jazz Orchestra
Rell Be Free & Friends – Spoken Word Artists
Centerpiece Jazz Band/ Con Brio – Latin Jazz
Somali Community Dancers – Traditional Dance
Rainier Dance Center – Youth Dance Performance
Ocheami – Interactive traditional African dance & drumming
ESSAM and Al Madani – Multimedia spoken word and mural project
DJ – Ramon Villalovos – Music/ MC
The Moss – Youth Girl Band Music
Filipino Youth Drill Team – Traditional Filipino Dance/ Martial Arts
School of Rock- Youth rock music
Dex Amora & Beats by Robel – Hip Hop
Paul Che Oke Ten Wagner – Native American/ Coast Salish Story Telling
Rabbi Kate Speizer/ Jewish in Seattle – Jewish Storytelling
Zumba Class with Rainier Health & Fitness- Work it out!
DJ Smooth T – DJ
Workshops & Demos by Pratt Fine Art Center
Zine Creation & Art Appreciation Workshops
Featured mixed media visual artist Sandra Jo Palm
Art Cars
Chalk art, haiku, and flying disc contests
Art & community booths

Food Trucks
Full Tilt
Maya’s Mexican Fiesta
Black Star Kebab
Cafe Red
Jackson’s Catfish Corner

& SO MUCH MORE!

 

Thank you to our generous sponsors including the Seattle Office of Economic Development’s Only in Seattle program, Vulcan, Safeway, Seattle Department of Neighborhoods, Third Place Books, Raconteur, Seattle Parks/Rainier Beach Community Center, Ron Angeles, Dorothy Driver Real Estate, Rainier Valley Community Development Fund, The Critter Camp, Merrill & Merrill Insurance, Rainier Dance Center, Rainier Vallley Food Bank, Redwing Cafe, Rainier Beach Community Center, Pizzeria Pulcinella, King County Libraries, SCORE Seattle, Derek Johnson Photography, Balanced Massage, Bamboo Builders, Rainier Beach Veterinary Clinic, Satmato Yoga, Rainier Beach Ready Emergency Hub, RainierView Advisors, Jude’s Old Town, Esquiness Fine Woodworks, DeBody LLC, and other local Rainier Beach Businesses.

Filed Under: Arts, Community, Community News, Entertainment, Events

A Gentleman’s Guide to Love & Murder to Play The 5th Avenue Theatre

July 17, 2016 by Dennis Beaver Leave a Comment

Broadway’s Tony Award®-winning Best Musical 
A Gentleman’s Guide to Love & Murder to Play The 5th Avenue Theatre

Gentlemans-Guide-783x340_6.2.16Book and Lyrics by Robert L. Freedman
Music and Lyrics by Steven Lutvak
Directed by Darko Tresnjak; Choreography by Peggy Hickey.

July 12-31, 2016

The Tony® Award winner for Best Musical, A Gentleman’s Guide to Love & Murder, will play The 5th Avenue Theatre as a part of its First National Tour, which launched in September, 2015.

Gentleman’s Guide runs July 12-July 31, 2016 (press night Thursday, July 14, 2016) at The 5th Avenue Theatre (1308 5th Avenue, Seattle). For single tickets (starting at $36) and information, please visit www.5thavenue.org, call the Box Office at (206) 625-1900 or visit the Box Office at 1308 5th Avenue in Downtown Seattle. Tickets may also be purchased at (888) 5TH-4TIX. Group ticket buyers (10 or more) may call (888) 625-1418.

Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession, by any means necessary. All the while, he’s got to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

The most celebrated musical of the 2013-14 Broadway season, Gentleman’s Guide received ten 2014 Tony® Award nominations, eventually winning four awards: Best Musical, Direction of a Musical, Book of a Musical, and Best Costume Design. In addition, it won the Best Musical prizes from the Drama League, Drama Desk and Outer Critics Circle, and received a 2015 Grammy® Award nomination for Best Musical Show Album.

A Gentleman’s Guide to Love & Murder features a book and lyrics by Robert L. Freedman and music and lyrics by Steven Lutvak. Direction is by Darko Tresnjak, with choreography by Peggy Hickey. The design team includes Alexander Dodge (Scenic Design), Linda Cho (Costume Design), Philip S. Rosenberg (Lighting Design), Dan Moses Schreier (Sound Design), Aaron Rhyne (Projections Design), Brian Strumwasser (Make-Up Design) and Charles LaPointe (Wig Design). Orchestrations are by Jonathan

 

Filed Under: Arts, Entertainment, Events

Bellevue Arts Museum is excited to host 50 Years of Ebony Fashion Fair May 20-August 14, 2016

April 26, 2016 by Dennis Beaver Leave a Comment

Bellevue Arts Museum is excited to host Inspiring Beauty: 50 Years of Ebony Fashion Fair from May 20-August 14, 2016. Did you see the fair in the Pacific Northwest? Share your Fashion Fair memories with us!

EFF1795By sourcing your personal memories and presenting them in the museum alongside the exhibition, BAM pays homage to the remarkable legacy of the Ebony Fashion Fair in the Pacific Northwest. Its impact on an individual and community scale is a testament to the vision and determination of Eunice W. Johnson, publisher of Ebony and Jet magazines.

Please email your stories & photographs to lucilec@bellevuearts.org or mail your materials to the Museum (Any photograph sent to BAM will be scanned and returned in a timely fashion):

Attention: Lucile Chich
Bellevue Arts Museum
510 Bellevue Way NE
Bellevue, WA 98004

We look forward to learning more about the Ebony Fashion Fair through your eyes.

shareyourstoryad

Filed Under: African American, Arts, Beauty, Community, Events, LifeStyle, Northwest

Brownsville Song by Kimber Lee

April 6, 2016 by Dennis Beaver Leave a Comment

image

Filed Under: Arts, Entertainment, Uncategorized

IDENTITY – The Debut Art Exhibition at Prographica/KDR in Madrona

February 29, 2016 by Dennis Beaver Leave a Comment

IDENTITY- A Visual Artifact is the first of a series of three exhibitions, each featuring a select group of long-time Koplin Del Rio (KDR) gallery artists. As KDR transitions its footprint to the Pacific Northwest, the exhibitions will unveil the gallery’s distinct identity and unique visual program through the artists it represents. These artists produce work that taps into the pulse of our current point in history in order to examine identity on multiple levels—self, community and nation.

KoplinDelRio Identity

Exhibition Dates: March 5 – April 30, 2016
Opening Reception: Saturday, March 5, 4 – 6 pm
Gallery Hours: Wednesday – Saturday: 11am – 5 pm; and by appointment
For more information visit Koplin Del Rio Gallery

Filed Under: Arts, Entertainment, Events

Seattle Center Festál Announces 23 Free, Festive and Fun Weekends Celebrations in 2016

January 16, 2016 by Dennis Beaver Leave a Comment

In 2016, Seattle Center and community organizations in our region present 23 ethnic festivals on weekends throughout the year. The acclaimed series, which fosters unity by honoring diversity, opens with Tết Festival – Vietnamese Lunar New Year in mid-February and concludes with a celebration of Dawali in Festival of Lights, the first weekend of November.

As Seattle Center Festál prepares for a public program milestone in 2017, the 20th anniversary year of this illuminating series of ethnic cultural events at Seattle Center, we look to the depth and breadth of the individual festivals that comprise the outstanding collection. They form the bedrock of our free, public offerings at Seattle Center, captivating and enlightening festival-goers as they experience the distinct cultures that influence the character and course of our broader community

Following is information and details on the 2016 series:

Seattle Center Festál:  Tết Festival – Vietnamese Lunar New Year, 11 a.m.-7 p.m., Saturday and Sunday, Feb. 13-14, Seattle Center Armory and Fisher Pavilion. Traditional dress, lucky money, martial arts and Children of the Dragon preserve the rituals, joys and learnings of an ancient culture – celebrating its 20th year at Seattle Center in 2016.www.seattlecenter.com/festal.

Seattle Center Festál:  Irish Festival, 12 p.m.-6  p.m., Saturday andSunday, March 13-14, Armory Irish gigs, genealogy, dance and drumming enliven Irish culture and heritage in the Pacific Northwest –  now marking its 45th year in Seattle.Learn more at:  www.irishclub.org.

Seattle Center Festál:  Seattle’s French Fest: A Celebration of French-Speaking Cultures, 11 a.m.-6 p.m., Sunday, March 20, Armory. The young festival – in its 4th year at Seattle Center – presents music, dance, food and fashion to highlight French influence around the world and in our region. À bientôt! Learn more at:  www.fenpnw.org.

Seattle Center Festál:  Seattle Cherry Blossom & Japanese Cultural Festival, 10 a.m-6 p.m., Saturday and Sunday, April 22-24, Armory, Fisher Pavilion and Seattle Center Pavilion. A feast for the senses, articulated by Taiko drums, ikebana flowers and intricate artwork, illuminate ancient views of a modern culture. Celebrating 37 years at Seattle Center in 2016. Learn more at:  www.seattlecenter.com/festal.

Seattle Center Festál:  Asian-Pacific Islander Heritage Month Celebration,12 p.m.-5  p.m., Sunday, May 1, Armory. Lion dances, martial arts, live music and expressive art forms explore Cambodian, Thai, Laos and Tongan civilizations. Learn more at:  www.apiheritage.com.

Seattle Center Festál:  A Glimpse of China – Chinese Culture and Arts Festival, 11 a.m.-6 p.m., Saturday, May 21, Armory. Journey from Beijing to Seattle through 5,000 years of visual arts, crafts, traditional dance and music of China. Learn more at:  www.chinaartandculture.com.

Northwest Folklife Festival, Friday – Monday, May 27-30, throughout the grounds. This Northwest tradition – observing its 45th year at Seattle Center – evolves with our communities as it presents multicultural arts and traditions through lively music, dance, stories and art. www.nwfolklife.org.

Seattle Center Festál:  Pagdiriwang Philippine Festival, Saturday, 11 a.m.-7 p.m., Sunday, 11 a.m.-7 p.m., June 4-5, Armory and Mural Amphitheatre.  The 30th annual festival presents pageantry, music, martial arts, drill teams and visual arts to celebrate Filipino independence and showcase the beauty of the country and people. Learn more at: www.festalpagdiriwang.com/. 

Seattle Center Festál:  Festival Sundiata – Black Arts Fest, Saturday, 12 p.m.-9 p.m., Sunday, 12 p.m.-6 p.m., June11-12, Armory, Mural Amphitheatre and Fisher Roof. Continuous live music and Southern spiced foods illuminate African-American heritage and inspiration in this soulful and fun-filled event – celebrating 36 years in 2016. Learn more at: www.festivalsundiata.org.

Seattle Center Festál:  Spirit of Indigenous People, 11 a.m.-5 p.m., Saturday, June 25, Armory and Mural Amphitheatre. Colorful costumes, rhythmic dance and storytelling preserve the sacred and promote the value of indigenous ancestries throughout the world – now in its 7th year at Seattle Center. Learn more at:  www.sihb.org.

Seattle Center Festál:  Polish Festival, 12 p.m.-8 p.m., Saturday, July 9, Armory and Mural Amphitheatre. Polish food, thrilling performances, cultural workshops and vibrantly decorated costumes and crafts celebrate this jubilant culture – now in its 5th year at Seattle Center. Learn more at:  www.polishfestivalseattle.org.

Seattle Center Festál:  Iranian Festival, Saturday, 11 a.m.-7 p.m., August 13, Armory. Expressive performances, poetry, face painting, puppetry and authentic cuisine offer a glimpse into this rich and multifaceted culture – in its 10th year at Seattle Center. Learn more at:  www.iaca-seattle.org.

Seattle Center Festál:  BrasilFest, 12 p.m.-7 p.m., Sunday, August 21, Armory, Mural Amphitheatre and Fisher Roof. The 18th annual tropical “carnival” showcases the lively music, martial arts, food and cultural roots of this South American ethnic mosaic. Learn more at:  www.brasilfest.com.

Seattle Center Festál:  Tibet Fest, 11 a.m.-5 p.m., Saturday and Sunday, August 27-28, Armory and Fisher Rooftop. The ancient and unique thrives at this 21st annual festival highlighting Himalayan arts, music and stories that express a cultural pride rooted in kindness, compassion and love. Learn more at:  www.washingtontibet.org.

Seattle Center Festál:  Live Aloha Hawaiian Cultural Festival, 11 a.m.-7 p.m., Sunday, Sept. 11, Armory, Mural Amphitheatre and Fisher Roof. As the festival enters its 9th year, the resourceful aloha spirit comes to life in the Hula, Ono food, music, crafts, tourism resources and a Hawaiian marketplace. Learn more at:  www.seattlelivealohafestival.com.

Seattle Center Festál:  Seattle Fiestas Patrias, Saturday, 12 p.m.-11 p.m., Sunday, 12 p.m.-6  p.m., Sept. 17-18, Armory, Fisher Pavilion, Seattle Center Pavilion. Wellness and community intermingle in this Latin American independence celebration – in its 38th year at Seattle Center – filled with lively music, tantalizing foods and family. Learn more at: www.seattlefiestaspatrias.org.

Seattle Center Festál:  The Italian Festival, 10 a.m.-7 p.m., Saturday, and10 a.m.-6 p.m., Sunday, Sept. 24-25, Armory, Fisher Pavilion and Seattle Center Pavilion. Pasta and pizza, popular music and wine, grape stomping, and expressive displays recognize the remarkable contributions of this dynamic and artful culture – in its 29th year at Seattle Center. Learn more at:  www.festaseattle.com.

Seattle Center Festál:  CroatiaFest, 12 p.m.-8 p.m., Sunday, Oct. 2, Armory. Acclaimed dance ensembles, art exhibits, foods, tourism information, intricate costumes and historical displays explore this rich culture at the 12th annual CroatiaFest. Learn more at:  www.croatiafest.org.

Seattle Center Festál:  TurkFest, 11 a.m.-6 p.m., Saturday and Sunday, Oct. 15-16, Armory. Folkdances, elaborate costumes, culinary delights and a tempting bazaar underscore Turkish linkages to East and West – now in its 16th year at Seattle Center. Learn more at:  http://www.turkfest.org.

Seattle Center Festál:  Dia de Muertos – A Mexican Celebration to Remember Our Departed, 11 a.m.-6 p.m., Saturday and Sunday, Oct. 29-30, Armory. Exquisite arts, elaborate altars, face masks, processions, special foods and ritual honor the past and celebrate our departed at this 15th annual festival of the dead. Learn more at:  www.seattlecenter.com.

Seattle Center Festál:  Hmong New Year, 10 a.m.-6 p.m., Saturday, Nov. 5, Armory. This family celebration preserves the ancient highland cultures of China, Laos and Thailand as it brings together Hmong people from across the region. Learn more at:  www.hmongofwa.org.

Seattle Center Festál:  Festival of Lights, 12 p.m.-6 p.m., Sunday, Nov. 6, Armory. The final Festál event is also the newest – in its first year at Seattle Center – sharing the story of Diwali as it presents Indian music and dance, crafts, children’s activities and flavorful Indian food. Learn more at: www.seattlecenter.com.

Seattle Center Festál is a program of Seattle Center Productions. Admission is free-of-charge. For more information on this collection of ethnic cultural events and other Seattle Center public programming, visitwww.seattlecenter.com or call 206 684-7200.

 

About Seattle Center Festál

Seattle Center Festál 2016, a collection of 23 cultural events presented on weekends throughout the year, highlights the diverse cultures and common threads of ethnic communities in our region with traditional and contemporary art, music, foods, youth activities, workshops, marketplaces and more. Seattle Center Festál is produced with the generous support of KUOW 94.9 Public Radio, Coca-Cola, Alaska Airlines and T-Mobile. Additional support is provided by the City of Seattle and Seattle Center Foundation.

 

Filed Under: Arts, Entertainment, Events

The Changing Sound of American Musical Theatre A Composer Summit: Free and Open to the Public

January 16, 2016 by NWFacts Leave a Comment

Dave Malloy, Marisa Michelson, Amanda Green converse and perform
7:30 p.m. Thursday, Feb. 4


TACOMA, Wash.
– Three significant composers of American musical theater are coming to Tacoma to discuss their influences, to perform and share excerpts of their work, and to engage in an intimate conversation about the changing world of staged musicals.

The free, public event at University of Puget Sound will feature Off-Broadway Theatre Award (OBIE) winner, composer, and performer Dave Malloy, who is on the brink of his Broadway debut with Natasha, Pierre & the Great Comet of 1812; Jonathan Larson Award-winning composer and performer Marisa Michelson, co-writer of the acclaimed musical Tamar of the River; and Tony-nominated lyricist, composer, and performer Amanda Green, the first woman recipient of the Frederic Loewe Award for Outstanding Composition.

The summit, The Changing Sound of American Musical Theatre, will be held at 7:30 p.m. on Thursday, Feb. 4, in Schneebeck Concert Hall on campus. Everyone is welcome and entry is free, with no tickets required.

The evening will move between short lectures, live performances from the guest artists, a video presentation, and a discussion between the guests and audience, moderated by Assistant Professor of Theatre Arts Jess K Smith. The multimedia review of the three composers’ bodies of work and unique creative processes will aim to uncover some of the significant ways in which the sound, structure, and needs of American musical theater are continually evolving.

One example that Smith gives of the shifting musical theatre frontier came in 1996, when RENT opened off-Broadway. Audiences suddenly were seeing challenging themes such as AIDS and addiction at the center of a Broadway musical. Moreover, the score blended Puccini’s La Bohème with the rough timbre of classic rock, to create an entirely new sound on the Great White Way—the nickname for New York’s Midtown section of Broadway. The hit play changed the sound and scope of musical theater.

Summit speaker Dave Malloy, too, has pushed boundaries. His Natasha, Pierre & the Great Comet of 1812,slated for a highly anticipated Broadway run this fall, takes 70 pages from Tolstoy’s iconic War and Peace, and transforms it into an electropop opera. His earlier opera, Beowulf—A Thousand Years of Baggage, was named in The New Yorker’s “Best of the Year” list and featured original music combining Weillian cabaret, 1940s jazz harmony, punk, electronica, and Romantic Lieder, turning the stage into a cacophonous swirl.

Similarly, composer Marisa Michelson has transported audiences to spaces that can be at once familiar and eerily foreign. She has taken inspiration from the Bible, Sappho’s poetry, and The Arabian Nights, weaving together contemporary, Middle Eastern, and American musical influences, with patter song, electronics, Meredith Monk-inspired sound play, and the harmonics of traditional Tibetan singing bowls.

Tony-nominated lyricist and composer Amanda Green is known for striking a balance between honoring Broadway traditions and simultaneously expanding the form. Through diverse collaborations with artists such as legendary guitarist Trey Anastasio, of rock band Phish; Lin Manuel Miranda (Hamilton); and Pulitzer Prize-winning playwrights David Lindsay-Abaire and Doug Wright, Green has contributed significantly to the sound of modern American musical theatre, with shows such as Hands on a Hardbody, On the Twentieth Century, Bring it On, and High Fidelity.

All three of the participating composers’ work is influenced by their perspectives as performers, composers, and scholars. Below is further information on each of the presenters.

Dave Malloy is a composer, writer, performer, sound designer, musical director, and pianist. He has won numerous creative awards, including two OBIE (Off-Broadway Theater) Awards, a Richard Rodgers Award, and a Will Glickman Award. He wrote the music for eight full-length musicals, most recentlyGhost Quartet, which sold out at performances in Brooklyn and New York. In 2012 Malloy wrote and performed in Natasha, Pierre & The Great Comet of 1812, an electropop opera based on Tolstoy’s War and Peace, which received rave reviews and numerous awards. He co-createdThree Pianos, a drunken romp through Schubert’s Winterreise, and composed the highly acclaimed Beowulf—A Thousand Years of Baggage. Other musicals include Black Wizard/Blue Wizard, a philosophical musical fantasia with co-creator Eliza Bent; Beardo, a Russian-ballet inspired retelling of the Rasputin myth, written by Jason Craig and including a string quintet and 40-piece choir; and Ten Red Hen’s Clown Bible, a gypsy-jazz infused set of Bible stories, from Genesis to Revelation, told through clowns. Molloy has been a guest professor in devised music theater at Princeton University and Vassar College, and has worked with numerous theater groups.

Marisa Michelson is a Jonathan Larson Award-winning composer, singer, and voice teacher. The music for her experimental musical, Tamar of the River, written with Joshua H. Cohen and staged by Prospect Theater Companyin 2013, was called “exquisite” by The New York Times. The work also was produced as a theatrical oratorio by New York Theatre Barn and Choral Chameleon. Michelson composed the music for The Other Room, a musical theater piece that ran for a month at The Barrow Group theater. The music was praised by The New York Times as producing “real chills.” Musicals in development include Scheherazade—a musical adaptation of Jason Grote’s acclaimed play, 1001—and a new work, with playwright Dipika Guha, about the nuclear testing that took place in Las Vegas in the 1950s. Previous musical-theater pieces include Still Life with Toe Shoes; Hotel Sarajevo; and The Lovers. Michelson’s songs have been featured at New York venues including The Kennedy Center, York Theatre,  New World Stages, and The Flea, and at Signature Theatre, in Virginia. Her recordings include Tamar of the River (Yellow Sound Label) and “All New,” sung by Nikki M. James (The Broadway Lullaby Project).

Amanda Green is a lyricist/composer and an award-winning performer. Her Broadway credits include her role as co-composer and lyricist for Hands on a Hardbody, in collaboration with Phish guitarist Trey Anastasio, which attracted four 2013 Tony Award nominations. She wrote the lyrics for the original musical An Americain Boy, collaborating with Olivier Award-winning British composer Richard Thomas, on a work directed by Tony-nominated director Leigh Silverman. She was the first woman awarded the Frederic Loewe Award for Outstanding Composition, from the Dramatists Guild of America, for her music for Hands on a Hardbody. For television Green wrote additional lyrics for NBC’s Peter Pan LIVE! and special lyrics for the Kennedy Center Honors on CBS (2014). She is developing an original dramatic series for television, co-writing with Tony winner Lisa Kron (Fun Home), for producer John Lyons (Sisters, The Young Pope). Green produces and performs in concerts of her work, alongside Broadway guest stars, in New York theater venues including Joe’s Pub, Birdland jazz club, Second Stage Theatre, and Feinstein’s 54 Below. She received MAC Awards both for outstanding musical comedy performer and for comedy song. She also received a Bistro Award for Outstanding Comedy Song.

The Changing Sound of American Musical Theatre is sponsored by the Matthew Norton Clapp Endowment for Visiting Artists, Department of Theatre Arts, and School of Music, at University of Puget Sound.

For directions and a map of the University of Puget Sound campus: pugetsound.edu/directions
For accessibility information please contact accessibility@pugetsound.edu or 253.879.3236, or visitpugetsound.edu/accessibility.

Filed Under: Arts, Entertainment, Events, Theatre

Mayor Murray signs legislation creating Central Area Arts and Cultural District

January 9, 2016 by NWFacts Leave a Comment

Mayor Murray signed legislation today creating the Historic Central Area Arts and Cultural District, the second Seattle neighborhood to be named a designated Arts & Cultural District. The Central Area is a center of African-American heritage and history as well as a neighborhood undergoing rapid change. The Arts District designation recognizes the culturally rich neighborhood and seeks to preserve its character.

“With this designation, we recognize the importance of the Central Area and the contributions of African Americans to Seattle’s rich and diverse cultural traditions as we seek to both honor and shape the legacy of the neighborhood,” said Mayor Ed Murray. “We also seek to build a vibrant arts environment and opportunities for creative industries to thrive in the Central Area for years to come.”

“The idea of an arts and cultural district in the Central Area actually predates the recent efforts to establish these districts,” said Steve Sneed, Historic Central Area Arts and Cultural District co-chair. “We’ve talked about and dreamt about something like this for more than 20 years, and now we’ve been able to turn that into action.”

The Historic Central Area Arts and Cultural District designation is dedicated to:

  • Preserving an African and African-American legacy in the Central Area.
  • Sustaining and strengthening the physical identity and sense of place for Black cultural relevancy.
  • Establishing continued support of artistic creation, economic vibrancy, livability, affordability, desirability and artistic vitality.

“The heritage of African-Americans in the Central Area has served this city in so many ways and now we have an opportunity to bring new life and meaning to a sacred past, and to be a force that helps to shape the future,” said Stephanie Johnson-Toliver of the Black Heritage Society of Washington. “The arts offers unlimited opportunity to stand firm in the present while giving honor to the past, and creating new paths to the future.”

The arts district designation creates access to the Creative Placemaking Toolkit, a suite of tools designed to preserve, strengthen, and expand arts and cultural places. The district will have access to $50,000 to be used towards the toolkit’s programs: signs to identify neighborhood borders and provide directions to significant places and landmarks; music and art in public places; pop-up activation; and parklets. The toolkit was designed by the Seattle Office Arts and Culture to support artists, art spaces, and neighborhoods in maintaining and investing in their cultural assets.

Central Area

The Central Area is Seattle’s historically African-American neighborhood and in a rapidly changing environment remains the nucleus for black art, business and culture. The Central Area has been home to some of the world’s most respected artists, including Jimi Hendrix, Quincy Jones, Theaster Gates, James Washington, Vitamin D, Ernestine Anderson, Ray Charles, Art Chantry and numerous others.

 
 

Filed Under: Arts, Community, Community News

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