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If you haven’t yet, for Women’s History Month please order one (two or three) of these eBooks written by and about Black Women

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If you haven’t yet, for Women’s History Month please order one (two or three) of these eBooks written by and about Black Women:  Two books about pioneering Black women; “Fanny Marion Jackson Coppin: First Black Female Principal,” amazon.com/dp/B06XDJ9FKN  (available on Over Drive) and “Ms. Forten of Philadelphia,” amazon.com/dp/B01N22E6JC. Both books are free with Amazon Prime.
Short, sweet, and only 99 ȼ.  Five stars on Amazon.com ! “Hell Hath No Fury.” amazon.com/dp/B0734J5N5G.
THE DOWN LOW ON THE LOCK UP!!!! “ABCs of the BOP;” Re-released, updated, new and improved, ready for primetime paperback, amazon.com/dp/1548538515 or eBook, amazon.com/dp/B077Y5Z6SC  Get your copy now. Give a copy to someone else to read. Recommended reading for anyone pursuing a career in criminal justice; anyone who has an incarcerated friend or relative; anyone who believes it is time for criminal justice reform; and anyone who just wants to know what the heck goes on in women’s prisons.
Thank you in advance for ordering my books.
L.A. Johnson of Aberdeen, WA
About Author:
L.A. Johnson of Aberdeen, WA  first book, “The ABCs of the BOP,” I’ve adopted the pen name L.A. Johnson. After reviewing my book, my granddaughter referred to me as “Piper.” That made me feel real good.

I earned an A.A. from Fresno City College, a B.A. from Fresno State and a M.S. and Ph.D. in Educational Administration from Purdue University. I retired from the Los Angeles School District with 26 years of teaching service credit.

From my humble beginnings in Hamlin, Texas to my current home in Aberdeen, Washington, I’ve journeyed far; that is meant in both the literal as well as the metaphorical sense.

I am one of the many who was wrongfully investigated, convicted, and incarcerated for crimes that I did not commit. As of today, I am still fighting to have my conviction overturned. I have faith that one day I will succeed.

Nelson Mandela said “After one has been in prison, it is the small things that one appreciates: being able to take a walk whenever one wants, going into a shop and buying a newspaper, speaking or choosing to remain silent. The simple act of being able to control one’s person.”

I have found that to be quite true. Other books that I have written are:

Fanny Marion Jackson Coppin: First Black Female Principal

Miss Forten of Philadelphia

TACOMA LITTLE THEATRE’S ‘OFF THE SHELF’ PRESENTS THE REVOLUTIONISTS

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TACOMA LITTLE THEATRE’S ‘OFF THE SHELF’ PRESENTS THE REVOLUTIONISTS

Tacoma Little Theatre’s Off the Shelf program is excited to present Lauren Gunderson’s, The Revolutionists, directed by Jennifer York and featuring a powerhouse of Tacoma actors.  This production will play Thursday, March 14, 2019 at 7:30pm.

Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.

 The Revolutionists features the talents of: Angela Parisotto as Olympe de Gouges, Kristen Natalia as Marianne Angelle, Cassie Jo Fastabend as Charlotte Corday, and Deya Ozburn as Marie Antoinette.

Tickets for the March 14, 2019 performance at 7:30pm are $10.00 for non TLT Members, and FREE for those who are members. Tickets may be purchased online at www.tacomalittletheatre.com, or by calling our Box Office at (253) 272-2281. 

TLT’s OFF THE SHELF

We know that there is a tremendous amount of wonderful theatre that deserves to be heard but sometimes just doesn’t get an opportunity. With “Off the Shelf”, local directors and actors will be bringing some scripts to life that we hope you will find entertaining, challenging and educational to our stage. We hope that you’ll sit back and enjoy an evening of theatre. You never know, you might see one of these shows on our mainstage in the future.

Join us for a special March Gallery Hours event to kick off our 2019 Student Ambassador Program!

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This summer two Hilltop Artist students (Ellye and MiShawn) will travel to Biot, France for 3 weeks to study with master glassblower Antoine Pierini. In return, we will host a glassblowing student from Biot during our
Summer Glass Arts Program.
To inspire our community to support our Student Ambassador program,
our gallery will be open on
Thursday, March 14, 2019 from 5:00 p.m. – 7:00 p.m.
Hilltop students have made special Biot floats, which will be for sale and are specifically made to help fund the Biot students’ travels. All proceeds from the sale of the floats will be dedicated to this once-in-a-lifetime experience. We will also have some French-themed treats (charcuterie anyone?), a french conversation section, and live demos by students in the hot shop
For added excitement, we will have a French themed door prize, a Gift Certificate to Savor Creperie on Pacific Ave in Tacoma.

Meet Ellye

Since she started at Hilltop Artists over five years ago, Ellye says glassblowing has taught her about herself by encouraging self-reflection, while also strengthening how she connects with others. She appreciates the lifelong friendships she has forged at Hilltop Artists through collaboration and teamwork. She is looking forward to learning more about coldworking from Antoine Pierini and getting immersed in French culture

Meet MiShawn

When MiShawn talks about Hilltop Artists, the deep sense of joy it brings him is readily apparent. Since joining Hilltop Artists in middle school, MiShawn has embraced every opportunity provided to him with relentless enthusiasm. Kind and caring, MiShawn is not only passionate about glassblowing, but also the community he has found through Hilltop Artists. He looks forward to absorbing new techniques while working with Antoine in France and incorporating them into his body of work. Watch MiShawn’s speech at our 2016 Better Futures Luncheon to learn more of his story.

Buy Tickets NOW For Charlie Wilson At Puyallup Fairgrounds.

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Saturday, Sept. 21 7:30 pm Doors open at 6:00 pm

Online Only Presale

Pre-sale starts Wednesday, March 6 at 10 am and ends Saturday, March 9 at 10 am.
Tickets go on sale to the general public Saturday, March 9 at 10 am.

To get the pre-sale password, subscribe to the Fair’s E-Club and select Concerts as one of your interests. You’ll automatically receive an email with the password the morning of the pre-sale.

Tickets

Reserved Concert Seating – $40 – $65*
Concert tickets include Washington State Fair gate admission, a $14 value.
Ticket required for children 2 years of age and older.

*Online orders subject to standard fees. A $4.50 service fee will be added to each ticket purchased in person at the Box Office.

http://www.thefair.com/fun/details/charlie-wilson-2019

 

About the Artist

Some people might say that after notching ten No. 1 singles, 13 Grammy Award nominations, a New York Times best-selling memoir and ongoing sold-out, coast-to-coast arena tours, Charlie Wilson has proven his point….and he isn’t planning to slow down anytime soon.

Wilson’s latest album, In It to Win It (P Music Group/RCA, Feb. 17 2017), includes a 2019 Grammy nomination for Best Traditional R&B Performance for the track “Made For Love,” his enchanting duet with Lalah Hathaway. In 2018 Charlie was also nominated for three 2018 NAACP Image Awards, Outstanding Male Artist, Outstanding Duo, Group or Collaboration and Outstanding Album.

The set boasts two number one singles which hit two different Billboard charts in April, 2018. “Chills” was #1 on the Adult R&B Songs chart and “I’m Blessed” ft. T.I. was #1 on the Hot Gospel Songs (and stayed in the top 5 for 65 weeks). This is the first time an artist has had two different #1 songs on these charts at the same time. “I’m Blessed” was also nominated for a 2018 Billboard Top Gospel song.

Jitterbug Perfume – Join the party at Café Nordo’s Culinarium!

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World Premiere Theatrical Adaptation

of Seattle Author Tom Robbins’ Classic Novel

Jitterbug Perfume

Join the party at Café Nordo’s Culinarium!

Don your Mardi Gras beads and indulge your senses through story, food, music, and song

Café Nordo is proud to present its first ever solo adaptation, Jitterbug Perfume at Café Nordo’s Culinarium in Seattle’s historic Pioneer Square. The show runs from March 14 – May 12, 2019. Set during New Orleans’ Mardi Gras, Jitterbug Perfume titillates the senses as it immerses you in the experience of living each day to its fullest; great food, passionate love, great sex, and passionate living.

THE ADAPTATION“This was the first time we’ve had to obtain the rights to anything,” said Café Nordo’s Artistic Director and Executive Chef Erin Brindley. “As luck would have it, a friend of mine penpals with Tom Robbins, so I asked for an introduction. I pitched the adaptation, and after a few weeks, I had a snail mailed letter from him, in his signature flowery language, he said, ‘the very audaciousness of the idea is what most appeals to me’ .”

The show is an adaptation of Jitterbug Perfume, Robbins’ 400-page novel that spans thousands of years. This daunting task was a theatrical challenge that co-adapters Stephan Robinson and Café Nordo’s co-Artistic Director Terry Podgorski were eager to accept.

The Café Nordo creative team met with Robbins at his home in La Conner, Washington, in the summer of 2018. “He answered the door with a cupcake [for Brindley’s birthday] and lit a candle,” said Brindley. “He showed us his home. We had a lovely time.” After meeting for two and a half hours, Robbins offered advice and words of wisdom as he gave the company adaptation rights to Jitterbug Perfume.

THE MUSIC

“There’s so much inspiration to pull from in Robbins’ writing, it’s a goldmine,” said composer Annastasia Workman. “Mardi Gras and New Orleans are central to the plot of the show, where I’ve drawn from Dr. John’s bluesy style piano, Terence Blanchard’s score for A Tale of God’s Will, and the bands Galactic and Michot’s Melody Makers. The music for this show is all over the space-time continuum, with other influences coming from Bollywood scores, György Ligeti, Marconi Union, and Hildegard von Bingen.”

This three-hour immersive experience is complete with an original score arranged and composed by Workman. Infused with the sounds of New Orleans jazz, Workman, along with Matt Manges and Beth Fleenor, transport audiences deep into the revelry of Mardi Gras.

THE CULINARY EXPERIENCE

Those familiar with Café Nordo’s style of integrating theater, food, and drink into a multi-sensory experience can anticipate that Jitterbug Perfume takes that adventure further than ever before. Playing off the dueling perfumiers in the story, Café Nordo’s award winning Chef Brindley uses aroma to create a theatrical culinary experience. “The obvious will not be on the menu,” said Brindley with a smile. “This epic tale gave me the opportunity to think deeply about aroma, how it enhances flavors and how it changes the experience of eating.” The menu merges New Orleans and Seattle cuisines with choose-your-own-adventure olfactory decisions that create a unique, individualized experience.

To enhance the festivities, beverages intentionally selected to pair with the food include  specially selected Wine Steward, Wine Sommelier, and Cocktail Flights, or, a specially-made Jitterbug Perfume wine from Chad Stock of Minimus Wine, an avant-garde Oregon winemaker. Beverages are not included in the ticket price.

THEATRICAL CREDITS

JITTERBUG PERFUME by Tom Robbins 
Copyright © 1984
Available in Bantam Trade Edition
Adapted by Terry Podgorski & Stephen Robinson
For Café Nordo

Director: Erin Brindley
Chef: Erin Brindley
Actors: Priscilla – Helen Roundhill
Alobar – Brian Picheu
Kudra – Marie Bolla
Pan the Goat God – Matt Manges
Ensemble: Chris Shea, Mara Palma, Lisa Viertel, Ronnie Hill, Opal Peachey, Madison Jade Jones.
Original Music: Annastasia Workman (keyboard, accordion)
Additional Musicians: Beth Fleenor (vocals, clarinet, electronics), Matt Manges (drums)
Costume Design: Fantasia Rose and Katrina Hess
Set Design: Terry Podgorski
Lighting Design: Ryan Dunn
Properties: Robin Macartney
Sound Design: Evan Mosher

FOR CALENDAR EDITORS

What:
Indulge all five senses as Nordo’s first in-house adaptation takes on this cult classic from beloved local writer Tom Robbins. Don your Mardi Gras beads and revel in humanity’s search for immortality as dueling perfumiers open Pan’s bottle, causing past, present, and future to collide at your table in a soaring ode to love eternal. Tickets include a four-course meal and the performance. Recommended for adults 18 years or order. The book, Jitterbug Perfume © 1984, was written by Tom Robbins. Adaptation by Terry Podgorski and Stephen Robinson for Café Nordo.

Where:
Café Nordo’s Culinarium
109 South Main Street
Seattle, WA 98104
(206) 209-2002

When:
March 14 – May 12, 2019
Wednesdays – Saturdays at 7:00 p.m.
Sundays at 6:00 p.m.

Tickets:
$99.00, includes the performance and a prix fixe menu. Beverage and cocktail service additional.
*suitable for audiences 18 years and older.
Online Box Office: bit.ly/JitterbugNordo

Photos:
Please find high-res assets for download here: http://bit.ly/JitterbugPerfume_PressRoom

Social:
Website: www.cafenordo.com
Facebook Page – https://www.facebook.com/CafeNordo/
Instagram – https://www.instagram.com/cafenordo/
Instagram – @cafenordo
#jitterbugperfume

About Café Nordo
Food, like theater – and to that end, life itself – is a communal experience. Routines are safe and comforting, predictable, and pleasant. Café Nordo was born to shake things up; it’s a seismic culinary event wrapped in an unpredictable theatrical experience. Erin Brindley and Terry Podgorski created Café Nordo in 2009 with their pop-up food show, A Modern American Chicken. They have since reinvented the concept of dinner theater with 10 years of original, immersive theatrical productions that have garnered critical praise and a loyal subscriber base.

In 2015, they moved into a permanent venue called “Nordo’s Culinarium” where the Elliot Bay Book Company once lived in historic Pioneer Square. Café Nordo’s menus are created through relationships with local farmers, ranchers, and fisherman; Café Nordo’s shows are born from the hive mind of inventive composers, actors, visual artists, and carpenters. While the address remains the same from show to show, every other element will be a complete surprise for both frequent guests and first-timers.

THROUGH THE LOOKING GLASS:  THE BURLESQUE ALICE IN WONDERLAND

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THROUGH THE LOOKING GLASS: THE BURLESQUE ALICE IN WONDERLAND
at The Triple Door

Through The Looking Glass: The Burlesque Alice in Wonderland
Lily Verlaine and Jasper McCann have both gone mad… mad as March Hares, that is! In their 11th annual re-imagination of Lewis Carroll’s classic tale of nonsense and fantasy, follow Alice as she discovers what wonders lie beyond the velvet rope at Wonderland’s most exclusive nightclub, The Looking Glass and attempts to best the evil Queen of Hearts to become the next ruler of Wonderland.  Featuring top-notch local dance talent, exciting choreography by the classically-trained Lily Verlaine and the sumptuous costuming of Stephanie Seymour, you’ll see the inhabitants of Wonderland like you’ve never seen them before. And, returning for the second year, Through The Looking The Looking Glass features a psychedelic go-go jazz score by Jasper McCann, Kate Olson, and Michael Owcharuk, played live on stage by our jazz sextet, The Aces & 8’s! The superstars of Seattle’s burlesque A-list take on the roles of Carroll’s famous characters and turn Wonderland’s topsy-turvy world into a ecdysiastic tour-de-force filled with glamour, comedy, dance, striptease, and song.
WHERE:
The Triple Door
216 Union Street, Seattle

FRIENDS OF WATERFRONT SEATTLE PRESENTS WAKE,  A MAGNIFICENT SITE-SPECIFIC PERFORMANCE  BY KINESIS PROJECT SEATTLE WITH MUSIC BY FILTHY FEMCORPS

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What happens on the waterfront after the Viaduct is gone? Friends of Waterfront Seattle invites you to imagine the future park with a special pop-up umbrella performance by Kinesis Project dance theatre at Pier 58 while the public will be strolling on the Viaduct for one last time.

WAKE, a colorful, large-scale, site-specific performance on the waterfront by Kinesis Project dance theatre accompanied by music from Filthy FemCorps, Seattle’s all-female-non-binary street band, will take place Saturday, February 2 at 2 p.m. and 4 p.m. at the pier between the Great Wheel and Seattle Aquarium. Jazzy, joyful, and artful, the performance will celebrate the post Viaduct future when the city is reconnected to its central shoreline via living, dancing, powerfully beautiful art in public spaces.
Community members will line the way toward Pier 58 with breathtaking and bright umbrellas designed by Seattle artist, Celeste Cooning. The pop-up performance will have dual vantage points — waterfront visitors will be able to watch the performance from the Viaduct and the ground

 

 

Friends has been enlivening the existing waterfront since 2015 with cultural events, including live music and performances including the K-Pop Now! Festival, 206 Zulu Beat Masters hip hop beat-making competition, and site-specific dances by Kinesis Project dance theatre. Saturday’s WAKE performance is a taste of things to come with the waterfront park. To learn more about what’s coming to Seattle’s waterfront, visit www.friendsofwaterfrontseattle.org/coming_soon.

“We are thrilled to be celebrating this moment in Seattle’s history with a cultural happening representing the park’s awakening. Seattle’s future Waterfront Park will provide beautiful spaces for people to play, relax, enjoy the views, and have unforgettable experiences,” said Heidi Hughes, Executive Director of Friends of Waterfront Seattle.

Kinesis Projects dance theatre’s Artistic Director and Choreographer Melissa Riker said, “My goal is to create a vibrant and unforgettable impression of colors, music, art, and movement. WAKE will bring the energy of Seattle’s awakening Waterfront Park right before the city’s eyes.”

Friends of Waterfront Seattle is the City of Seattle’s nonprofit partner helping to build the park and ensure its lasting success. Following the public-benefit partnership model, we educate the public about the park and its benefits, raise philanthropic funds to build the park, and will partner with the City to manage and program the park long-term. Our goal is to make the central waterfront a public mixing ground where all communities can share cultural, recreational, and civic experiences in a beautiful environment. Waterfront Seattle / Friends is a founding member of the High Line Network, a movement in cities across the world to reclaim underutilized infrastructure and reimagine it as public space. Explore the future park at our project showroom, Waterfront Space, located at 1400 Western Avenue in Seattle, and open Wednesday through Sunday, noon to 5 p.m.

Kinesis Project dance theatre is a non-profit organization that creates site-specific dance performances and facilitates educational programs. The company produces large-scale, space-changing, and unexpectedly intimate dances. Kinesis Project is at the forefront of the international discussion of placemaking, art engagement with diverse communities, and the cultural imperative of art in public spaces.

Civil Rights Exhibition, Events Examines Race in the U.S. January 30-March 16 at CWU Museum of Culture & Environment

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Civil Rights Exhibition, Events Examines Race in the U.S.
January 30-March 16 at CWU Museum of Culture & Environment

In 1955, shortly after 14-year-old Emmett Till was murdered by white supremacists
in Mississippi, his grieving mother, Mamie Till-Mobley, distributed a gruesome black-and-white
photograph of his mutilated corpse to newspapers and magazines.
The mainstream media rejected the photograph as inappropriate for publication, but Mobley was able
to turn to African-American periodicals for support. Asked why she would do this, Mobley explained that
by witnessing with their own eyes, the brutality of segregation, Americans would be more likely to
support the cause of civil rights.
For All the World to See: Visual Culture and the Struggle for Civil Rights, a nationally-touring exhibition
from the National Endowment for the Arts (NEH) on the Road, will be at the CWU Museum of Culture &
Environment (MCE) from January 30 thru March 16, 2019.
Students from the Diversity and Equity Center (DEC) have collaborated with students from the Museum
Studies minor on a companion exhibit, that situates this history within the Pacific Northwest. This
exhibit will be on display from February 1 – 28 in the DEC, located in Black Hall room 105-1.

Through a compelling collection of photographs, television clips, art posters, and historic artifacts, the
exhibit traces how images and media disseminated to the American public transformed the modern civil
rights movement and jolted Americans, both black and white, out of a state of denial or complacency.
Visitors will explore dozens of forceful and persuasive visual images, including photographs from
magazines, such as LIFE, JET, and EBONY; CBS news footage; and TV clips from The Ed Sullivan Show.
Also included are civil rights-era objects that exemplify the range of negative and positive
imagery—from Aunt Jemima syrup dispensers and 1930s produce advertisements to Jackie Robinson
baseball ephemera and 1960s children’s toys with African American portraiture.
For All the World to See is not a history of the civil rights movement, but rather an exploration of the
vast number of powerful images that influenced how Americans perceived race and the struggle for
equality.
Throughout winter quarter, the MCE, in conjunction with CWU’s Africana and Black Studies and the DEC,
is hosting a series of events that address themes from the exhibition to include:

Public Affairs

400 E University Way • Ellensburg WA 98926 • Office: 509-963-1484
Barge Hall 402 • Email: Dawn.Alford@cwu.edu • Web: cwu.edu/public-affairs
EEO/AA/TITLE IX INSTITUTION • FOR ACCOMMODATION EMAIL: DS@CWU.EDU.
This is an electronic communication from Central Washington University.

 Jan. 31, 5 p.m. Opening Celebration – Music, food, and speakers to honor the opening of For

All the World to See

 Feb. 19, 5 p.m. Being Black in Ellensburg – A safe space for CWU’s black students, faculty, and
Wellington Events Ctr staff and Ellensburg community members to share stories.
 Feb. 21, 5 p.m. Un/Belonging: Can People of Color Call Ellensburg “Home”? – A panel featuring
the voices of people of color in our community as they reflect on living in Ellensburg.
 Feb. 28, 5 p.m. Intersectionality and Solidarity: A Roundtable Discussion with Masonya
Bennett, PhD – Join Bennett along with a diverse group of students, faculty,
staff, and community members as they consider new forms of solidarity going
forward.

Also offered are tours of For All the World to See, led by CWU black student leaders from CWU’s Black
Student Union, S.I.S.T.E.R.S., Brother 2 Brother, and Scholars in Action. These tours, called “Walking in
Our Shoes,” are open to the public and will take place:
 Feb. 7, 5 p.m.
 Feb. 14, 3 p.m.
 Feb. 21, 11 a.m.
For All the World to See: Visual Culture and the Struggle for Civil Rights was curated by Maurice Berger,
research professor and chief curator at the Center for Art, Design and Visual Culture at the University of
Maryland, Baltimore. It was co-organized by The Center for Art, Design, and Visual Culture and the
National Museum of African American History and Culture, Smithsonian Institution.
For All the World to See has been made possible through NEH on the Road, a special initiative of the
NEH. It has been adapted and is being toured by Mid-America Arts Alliance (M-AAA). Founded in 1972,
Mid-America Arts Alliance is the oldest regional nonprofit arts organization in the United States. For
more information about Mid-American Arts Alliance and the NEH On the Road program visit
www.maaa.org and www.nehontheroad.org.
For more information about programs at the CWU Museum of Culture & Environment visit
www.cwu.edu/museum, email museum@cwu.edu, or call the gallery at 509-963-2313. The MCE is free
and open to the public Wednesday through Friday 11 a.m. to 4 p.m. and Saturday 10 a.m. to 3 p.m.
Parking on CWU campus is free after 4:30 p.m. and on Saturdays.

Centerstage Theatre Relaunches Education Program with the class “MAKERS! Making change through making plays” February 5th – March 14th

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Centerstage Theatre Arts Conservatory  is re-launching it’s education program with the class “MAKERS! Making change through making plays.” The class, for for youths ages 8-14, will be taught and lead by local Federal Way teacher Ryan Campeau. Ryan has teamed up with Centerstage to bring theatre to the children of our community. 

Class will be held on Tuesdays and Thursdays at Silver Lake Elementary in room 212 from 4:00pm – 5:30pm (childcare will be available following end of school day.)

Students will collaborate with each other to write, direct, and produce their new plays, enriching communication skills while boosting students’ confidence to be boldly creative. Centerstage welcomes all students ages 8 – 14 to attend this after–school drama camp. Registration begins January 17th and ends February 1st. The total cost of the camp is $120. All students wishing to attend should have a parent or guardian email Ashley@centerstagetheatre.com for registration materials. Scholarships are available for any student in need of financial aid; please email Ashley@centerstagetheatre.com for a scholarship application.

Address of camp: Silver Lake Elementary

Room 212

1310 SW 325th Pl.

Federal Way, WA 98023

Believing that theatre is an agent of challenge, change, and education, Centerstage Theatre presents and produces quality performances to enhance the lives of people and communities in Western Washington.

If you would like more information please contact Ashley at 253.661.1444 or email Ashley@centerstagetheatre.com

Seattle Arts & Lectures Literary Arts Series A Conversation with Zadie Smith Feb 27, 7:30 PM

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Zadie Smith is one of the world’s preeminent fiction and non-fiction writers. Her novels include White Teeth, The Autograph Man, On Beauty, and Swing Time, among others; and her many non-fiction works on a range of subjects from pop culture to politics are collected in Changing My Mind: Occasional Essays and 2018’s Feel Free.

 

Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge, graduating in 1997.

Her acclaimed first novel, White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the story of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, and the Commonwealth Writers Prize (Overall Winner, Best First Book). It also won two EMMA (BT Ethnic and Multicultural Media Awards) for Best Book/Novel and Best Female Media Newcomer, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over twenty languages and was adapted for Channel 4 television in 2002.

Her tenure as Writer in Residence at the Institute of Contemporary Arts resulted in the publication of an anthology of erotic stories entitled Piece of Flesh (2001). She also wrote the introduction for The Burned Children of America (2003), a collection of eighteen short stories by a new generation of young American writers. Zadie Smith’s second novel, The Autograph Man (2002), a story of loss, obsession and the nature of celebrity, won the 2003 Jewish Quarterly Literary Prize for Fiction. In 2003 she was nominated by Grantamagazine as one of 20 ‘Best of Young British Novelists’.

Her third novel, On Beauty, was published in 2005, and won the 2006 Orange Prize for Fiction. She has also published two collections of non-fiction, Changing My Mind: Occasional Essays (2009) and Feel Free (2018).

Zadie Smith became a tenured professor of fiction at New York University in 2010 and lives between New York City and London. Her most recent novels are NW (2012), set in north west London; and Swing Time(2016), set in London, New York and West Africa.